“I don’t want to make a picture, I want to open up space, to create a new dimension for art, to connect it up with the cosmos as it lies infinitely outstretched, beyond the flat surface or the image.” LUCIO FONTANA, 1970 Lucio Fontana, Italian painter, sculptor, and theorist of Argentine birth, is canonically recognized as a leader of the twentieth century avant-garde and an instigator of the action genre. Carvin V3 Midi Setup On Mac. Introduced to sculpture by his father and classically trained under sculptor Adolfo Wildt, member of the Novecento Italiano group, Fontana would quickly react against the ideology instilled within the romanticism of retrospective Italian art and his attention would soon turn toward Neoexpressionism. The desire to investigate notions of sculptural space, however, would remain a key component of Fontana’s practice, gaining enough momentum to become one of his greatest contributions to art history, transcending notions of dimensionality, exemplified here in Concetto spaziale, Attese, 1961. In the aftermath of World War II, Fontana, like many of his European and American contemporaries, instinctively felt that the meaning of art had changed and, with this in mind, he began to expand on the theoretical concept of art and space in five manifestos, developed throughout 1947 to 1952. Sharing a Futurist interest in technological and scientific progress, Fontana emphasized the need to push abstraction past its stagnant two-dimensional state and into the third and fourth realms of physical dimension. Voxengo Span Plus Keygen Idm on this page. This form of abstraction necessitated the inclusion of time as a spatial element; indicated through the active intervention of spatial form, the planar confine of the canvas was sliced through in a dramatic gesture, revealing extensions of time and space– physical negotiations of infinity. The Best Of Pastor Troy Vol 1 Zippyshare. Melding architecture, sculpture and painting, Fontana’s aesthetic idiom transcends the superficiality of surface and confronts the sanctity of painterly traditions by slashing, slicing and puncturing the canvas.