The LFO causes the Phone to rake the frequencies in the synth while the portamento causes those frequencies to shift (i.e. You need to play it by moving between notes. Mono is setup so you. I'm working on getting a certain kind of sound with a stereo phase applied to the bass band sweep on some drums. It's not quite as. Drum / BeatBoxContains three samples (kick, snare and hat) designed to be triggered by incoming audio in three frequency ranges. Waveforms - Waveforms effectively anti-aliased - Pulse width/distortion - 4 different resonant filters - 2 LFO's with 8 different waveforms (incl. Random) - Portamento & Autobend - Stereo FX.

Hey The sound I am aiming for is the phat & filthy reese-like sound used in the subgenre of d&b called Neurofunk (example of a pioneer= Noisia). An example of this sound is: [ame='Minimix - YouTube[/ame] (second half is most clear what sound I mean) or [ame='- Shellshock (feat.

Foreign Beggars) (Official Video) - YouTube[/ame] (1:02 onwards). I've searched for weeks on how to make this sound, but there are so few tutorials & so few soundpacks (because the subgenre is very unknown) that I am a bit lost at the moment. Therefor I'm asking it here. If you guys could make me a preset or give tips, I would be very grateful!

Thanks in advance! Hmmmm 'reese'?

No entry on dict.cc, my english is losing me here, but I guess I know what you're searching for. It's at least close to some wobbles and common progressive trance type sound, so tutorials shouldn't be that hard to find. Similarities to a distorted guitar should lead you the way, I tend to use two parallel bandpassfilter (one for the high frequencies (tuned if needed) and one for the lower end) and waveshaping/distortion for that type of sound, depending on the toning you prefere use one or two oscillators, saw or small pulswidth, play around with the detuning (5th, Octave) in case you use more than one oscillators. Click to expand.Yeah sorry, we digressed a bit there I think Summa's answer above is a great start. I'd definitely use more than one oscillator. In fact I'd probably try stacking a few instances of Massive in my sequencer to really give it some beef (and panning options) I'd say pitching oscillators by an octave or two as well as a fifth would definitely be a good idea, and also adding lashings of distortion.

It sounds like there's a sine wave or two (with pitch LFO or abused chorus, one slightly higher and also some deep ones) in there along with some dirty and filtered saw waves. There's also glide/portamento happening. Really syncing the bass with the drums will also help to add some punch.

When I'm new to a synth and want to get to know it, I find a good way to begin is to find a sound that is slightly similar to one that I want, and then just get hands-on and start tweaking and see what happens. I think to achieve the sounds you've linked to above you'll need to start simple and really experiment. You might find that what sounds like one sound is actually a few. To start you off, i would use a couple of sawtooth waves and a sine (pitched an octave below the saws). Perjalanan Seorang Prajurit Para Komando Pdf Editor. Up the number of voices in unison (2-3 voices should do it) and spread them out a little.

Also detune the pitches of the saws by a few cents in either direction. You might also want to change the saws from 'spectrum' to one of the 'bends' as this will make it sound a bit more crunchy. Then send the signal through your filters in series. Put a double notch filter on the first filter slot and a bandpass filter on the second filter slot.

Shove an LFO on the bandpass filter cutoff (and maybe the resonance) or use the performer modulator. Now put a distortion effect in the first effect slot and then maybe a flange or chorus or dimension expander in the second effect slot. Start playing some really low notes on your keyboard and mess around (automate) the rate of your LFO. This should be getting you something like what you're looking for, or would at least be a good starting point.